About Henning Fuchs: He was born in Germany, in 1978, and lived temporarily in Greece. He studied Music at the Liverpool Institute for Performing Arts (LIPA) and graduated in 2002 with a Degree of Bachelor of Arts (Music) with Honours, Class I. Since 2002 he has lived in Berlin and has been writing music for theatre, dance, film and his band Sabanova. He has founded his own record label and is currently studying film music at the Academy for Film & Television, Babelsberg.

- Which are your main musical influences, in and outside film music?

Artists that I like: Björk, Nick Cave, Frank Zappa, Danny Elfman.

- How did you get involved with this film?

I was on holiday visiting my dad, who is working in Madrid, when I received the call from the main composer of the project. He said: we need a song for the opening sequence within 10 days!. Three days later I returned to Berlin. After five days I sent my first layout to the director.

- What were the main indications of the director?

The director used a Bob Dylan song as a layout music. The song worked pretty good for me. So, I aimed for a similar mood: Slow and full of pain and sorrow.

- Which what orchestra or musical instruments have you worked with in the song?

For What's the difference? I worked with a guitar player who performed backing vocals as well and a violin player. Although I can play guitar myself I preferred having someone else improvising. I did the main vocals by myself. Everything else was programmed by the co-producer Nils Vogel and by myself. One could call the movie intentionally trashy - that's why we added some bits that are slightly out-of-tune.